Showing posts with label Joburg. Show all posts
Showing posts with label Joburg. Show all posts

Wednesday, April 1, 2009

Between

Johannesburg
Artist / poet: Colleen Alborough
Sound artist / voice: João Orecchia
2'51’’
2009

Between is an exploration of Johannesburg city space. It considers how daily movement through exterior city space infiltrates and affects your interior world. Between tracks a turbulent journey along a tarred road. It traces the tarmac and the road-markings along the way. Its pace is fast and creates a disorienting viewing experience, as the road-markings and sounds are animated in sync with the speed of the journey. It explores the pace of Johannesburg and the constant, dizzying speed that embodies our way of being in this city.

Tuesday, March 31, 2009

Jackson 5

Johannesburg
Artist / director: Sean Buch
Camera / editor: Emma Jane Laurence
Sound: DJ Yoji a.k.a Simon Tollman
2’ 50’’
2009

Graffiti artists attempt to create a private space within the city through the act of tagging, writing their pseudonym in public space. Painting is considered by many to be a cloistered process executed in a studio or private space. This video, inspired by hip-hop and graffiti culture, plays on the tensions of the a painter’s public and private identity, and his relationship to the cities of Gauteng. The title Jackson 5 makes reference both to the American Abstract Expressionist artist Jackson Pollock and the Pop group of the 60s and 70s.


Waiting

Johannesburg
Artist / director: Rat Western
05’16’’
2007

Waiting is a lonely, domestic experience of urban, inner-city living as told from the perspective of a particular inhabitant. Waiting was originally designed as a comic/graphic story and was printed in book form, but was converted to a film for exhibition purposes.






Karohano

Johannesburg
Choreographer / director: Jeanette Ginslov
4'30''
2009

Karohano, meaning pieces in Sesotho, is a collaborative dance video representing three male dancers from Madagascar and South Africa. It is a fusion of video technology and urban dance energy, revealing aspects of African male identity, political satire and ironic gestures. Nominated for Jury Short Award Cinedans, Netherlands, 2008.

I lost a poem

Johannesburg
Artist / director: Erica Luttich
Poet / artist: Anni Snyman
3'00''
2009

This video poem laments the loss of slow significant contact that a vehicle bound city inhabitant experiences, but also exalts in the infinitely interesting stream of image, noise and thought that flows by. In the timeframe of the automobile, images, moments and themes repeat continually. This transforms the city into an experience of motion and rhythm, rather than locality.

Tuesday, August 26, 2008

Exits not taken

Arja Salafranca

The sky was a dark stain of
muddy purple,
as I drove home this Friday night.
The Coca-Cola sign blinked at me
from the round Ponte building
in the distance.
Jim Croce was singing on my car radio
as cars soared past
in a perpetual rush at life.
The end of a day,
endings, beginnings,
the exits of the freeway
that I no longer take
because they lead to my past,
other lives, people long since
out of it.
They flashed past me as I drove.
Another time I would've been going
somewhere else.
Endings, beginnings,
life's full of them,
becoming one,
blurring into a mass
of exits not taken.
The sky is a dark stain of
muddy purple
as I drive tonight,
I don't know where I'm going yet.
It's the interim,
between the end,
and the waiting for a beginning.

Hillbrow's Festival of Meat

by Arja Salafranca

A pair of ribs hang together
in isolation from the rest of their body.
Red and pink
packages displayed in the fridge,
neatly wrapped.
These raw pieces
waiting to be taken home,
made brown and disguised
for human consumption.

The Hillbrow Meat Festival
is a shop clean and yellow
celebrating
technology that can grow cattle
on hormones, keeps them inactive
to let the fat build.
We're capable of taking away their babies
for human consumption.

Far away from my home
lies the abattoir
and a head,
still screaming blood,
sits on the wet, red floor.

Far away from that abattoir,
the rest of its body,
on my plate,
ribs and all,
covered in a gravy,
surrounded by potatoes and peas
satabbed into by a fork
and something more ominous,
that I can't define.

On the way to work

by Arja Salafranca

On the way to work
I see a dead dog lying on the pavement,
one leg lifted in rigor mortis,
a meaty chunk of shoulder flesh exposed.
There are woven baskets for sale
on the opposite side of the road, and round barstools.
The sun burns my driving arm crisp brown.
A desperate woman sells wooden bowls,
comes up to my window. I flick my
eyes away behind mascara-flecked
sunglasses. Her mouth drops a little.
There are men selling bags of avocados
and boxes of green grapes. I say no.

Driving to work I detour
through poverty.
The houses are small, shabby, paint peels
and fades away. Walls are not high,
and many are crumbling. People sit
in their yards and watch rerouted
traffic bump through the neighbourhood,
observing the unusual event as if it were a parade.
The shops are hot, dark holes. The children amuse
each other by buying sweets, walking,
playing in the streets.
It's a different world here,
a world I've been warned against.

Driving home, one night, a dog leaps
into the dark road. I swerve to avoid its black
jumping shape. It's limping, sick,
frightened or confused.
A group of men stand nearby, laughing
loudly, clustered in groups by their cars.
I put my foot hard on the pedal,
the dog disappears, defeated,
limping back into the darkness.

I am not

by Ike Muila

i am not
i am not a roadblock
striker busted or
a steepslope
searching slide sethoba mazenke
forcevuur trigger jazzman star black pajero
suffer gate mourn malombo kite
i am not
i am not a flatroller thesha spin
tricycle green belt tsingandededze
byenbye
even in high vista rows
thiza ntanjane blazer phola cap
banana kar stork sweets badge
dorpenaar topshaela or molaola siphithiphithi
traffic cop sefate
i am not
i am not a town hall speedometer ball
trinity joke
in times of your life span
or a wheelbarrow crank
fix it all tick toes tick
foul feet take your times en fry
i am not

Ek gaan capital

by Ike Muila

i am going to the capital
for die dae kroning wil van do
or die indeed
lewe soos danger gevaarlike ingozi
ons net eenders like Siamese twins
ekke die en danger
cowsin gwavhavha conspiracy gate
geen thatha ama chance bo my
ek gaan capital
knock knock..,whos there
or wie is daar
jou bra
jou bra who
jou moer

--

Translation

Ek gaan capital

i am going to the capital -
i am going to the capital
for the crowning will of do
or die indeed
live like dangerous fearsome danger
we are both identical the same like siamese twins
me myself i and danger
bullish coward fear driven heart conspiracy gate
no taking chances with me
i am going to the capital
knock knock..,who`s there
or who is it
your friend
your friend who
joe nuts

Kiss kiss

by Ike Muila

bang bang kiss kiss
suna papa jellybird
madolo restaurant kiss bite the dust
bo die dae tweede double kick punch
thutha mabhakethi
no more eerie plastic air holding
backsite curve of the earth
tagshopspaza kisses above the axis
bums en buttocks fart
freely sonder klagte drive
over chest of drawer kit expansion
amen alleluia dabadaba muofhe
ramasoti offsite revs
dra proper proper
proper pi..,bo peep
amen alleluia folk songs

Blomer

by Ike Muila

blomer madala
ek is `n ou taxin terries
binne in die toene
change deurdlana
op en af
blomer madala
blomer jozi
blomer joburg
jakarumba spy vanity logo
big short kota
four five limited tamtasie
ek ken jou haba witty madala
haba stalavisto
niks ou medulla oblongata
blomer
blomer madala
ek spin in die toene ek nou die dag
jy sal nie skyf kry nie
check lapha site
calaza madala site
ek vang hulle is net dresh
die een..,is `n ou mdryseni
die ander een..,is `n ou malala
die laste een..,is `n ou mavuka
jy moet onthou
skyf is `n process
where by cigarettes
passes from the owner to the parasite
blomer
blomer madala

-----

Blomer ;translation-hang around

Hang around
hang around buddy
i am an old texas town
inside my toes
changing door to door
up and down
hang around buddy of mine
hang around jozi
hang around joburg
vanity logo foolish spy
big short quarter
four five limited witty case
i know you are not wise buddy
no by the by
nothing like witty medulla oblongata
hang around
hang around buddy of mine
i spin inside my toes these days
you will never receive a smoke from me
check this side
peep cautiously this side
i believe these are three only
this one is for while away time
the other one for when is time to sleep
the last one for when i wake up
you should bear in mind
pass me a smoke is a process
where by cigarettes passes
from the owner to the parasite
hang around
hang around buddy of mine

1 january

by Allan Kolski Horvitz


1

I am flying over joburg

louis botha avenue ribboning
to the north and south
shops front dirty sidewalks

we are four million souls in this city
on the highveld
up from the
o c e a n s

I am flying

wondering
what thoughts and sensations
breed and bear fruit in this city
along streets lined with trees
rain has made green

and it
stri k es me

the first task: reproduce!
without a plan for succession there is no survival
every thing moving (except the cars)
is something living that needs to fuck to survive
(except the plants of course)

I am flying over joburg
louis botha must still be renamed
to mark the new age
(for the moment the general keeps his place
as a memory whose fame subsists in
designating this street)

four million souls

recovering from the new year binge
parties that shake off the shackles
the drinking and eating and laughing and bemoaning
spill into the new year

but
this is also time for reflection and passion
and hope

we need this week away from wagework
this renewal
we need to gather up strength
dream eternal


2

I am flying over this settlement
(named joburg)
waves of hysteria and boredom greet the pilot
the task of ascribing meaning
entrusted to tv anchors and workshop devotees
who declare:

human paths stretch meandering
at their own pace
those who wish to hurry had better show patience
-an inhuman trait not to be expected
though to be fair
those who wish for harmony had better first watch
the action of a star being sucked into a black hole
and then come out the other side
in the form of another primal explosion
to appreciate just what power and violence
can and do ando an do an do a n d o

at the cor e of the act of creation

Cityscape

by Michelle McGrane

Let me show you heaven and hell:
a city of gold veins and shacktowns;
a labyrinth of mineshafts and asphalt

where the Angel of Commerce and Industry
rises winking from his steel and glass edifice
and the Angel of Kwaito and Minibus Drivers
terrorises the neighbourhood watch.

The electric blue tower pierces the skyline.
The pavements teem
with the nightmares and dreams
of bankers, beggars and designer fiends.

The sparrows swing on the washing lines.
The church bells chime thirteen times.
The sky glows atomic red at dusk fall.
The miner's heartbeat echoes on the rock wall.

HERE

by Angifi Dladla

we have smoked away all forms and voices of life.
Our dumb river, like a faint, very faint path, drags itself
timidly across the city. What roar are walls
as we jostle our way to relieve fellow breadwinners.
What chatter are computers and mobile phones
playing with the unseen, reliving our childhood.
What hiss drive faeces and urine down
under our feet. What hoot are wheeled coffins
carved strictly for Kyalami and the highways.
No need of cockroaches, ours are two-legged –
just to spite our Mayor. Serves them right
when police, in winter, burn their rags
and with teargas fumigate their crevices. Here,
we all die from want, noise, crowd and loneliness
diseases. Corpses and carcasses live long
in coolers, waiting for the last festival in the bowels.

Here, flowers grow in pots, their gnarled roots grope
upwards, like their cousin stems, to the Almighty.
Small men masturbate from balconies.
Seeds splash on heads and shoulders of passers-by.
In corridors of trade, a troupe of gangly girls
with plain grins as smiles, promenade around
as if the floors they tread on are queasy. Then,
bingo! After a short interval – strip dance and
extras! dubbed sex engineering by our new nobles
dying from obesity in private villas. Here, hard
their experts slap the newly-born, giving them sham
violence and X-rated madness preparing them
for this life … Infants and their counterparts – toothless
wrinkles grow apart in quarantine to avoid exchanging
word of earth; word of the hereafter. Here, we lock
juveniles in jail or asylum as prematurely psychotics.

GRAFFITI-PRAYER IN A CHURCH TOILET

by Angifi Dladla

We wish wee, we waz deh Bushshop’s Chillen;
deh God of Isryel, he woud do deh res’.
We wish wee, we waz Politishen Chillen;
to Eleet Schools wee, we woud dhrive.
We wish wee, we waz bhorn to Eggzayls;
Heirs to Hi Konnekhshins wee, we woud bee.
We wish wee, we waz from deh Oryen’;
Yoga it woud meyk us suttle.
From infinit slum shackhs wee, we come;
named aftah deh Hevvy Politishens, wee deh shackhs
chillen. Dis iz deh time, now, show dem enjel feys,
Gabhryel of long agow!

Garage

by Gary Cummiskey

Knock back on the counter
Your superstitious coins,
the couple in the car opposite's
screaming, she might
pull a gun on him. The
leaves lift gently on the breeze
WE'LL DISINFECT ETERNITY
The smiling petrol attendant's
lost in an ancestral
hallucination.

Corner cafe

by Gary Cummiskey

I take you
to the corner cafe.
It is empty
so we slip down behind the counter
and start to fuck.
Afterwards,
when we are getting up off the floor,
we see the owner lying in the
doorway, dead.

Tuesday, August 12, 2008

Kliptown Shantytown

by Siphiwe Ka Ngwenya


Kliptown shantytown
dreams silenced
by the morning rain
footsteps of running commuters

kliptown shantytown
the sky loses its brains
in torrents it starts to rain
people use tables as boats

kliptown shantytown
when day is young
women wash clothes down the river
children swim like fish in dirt

kliptown shantytown
frogs croak crickets chirp children snore
and nakedness entangles with passion
till dawn

Tuesday, July 29, 2008

Things that make the skin itch - a two part monologue

by Bandile Gumbi

Giving up

They announced
Change took a detour
To council with an old friend
It was around teatime
He is detained

We know once old friends get-to-gather
The moss grows under feet
He might be rooted for millennia

The progressive movement can wait
Change has been around for ages
Its agile youthful feet
Use to act just in time
For a bygone revolutionary moment

These days
The heart might be in the right place
But change is delimited by age
Just, maybe its time for a new age


Giving In

I will not look you in the eye
The blank space next to your left ear
Holds much fascination
I t does not affect my nervous system
Nor aim to initiate involuntary communication

Yes, I will look at the cityscape
Pass by on the right side of your ear
It rushes past like I do
It asks no questions
And I am not giving any answers

I will not take up any particular struggle
I was not born of my mother’s struggle dreams
But conceived in between idle chatter and shopping sprees
On Longmarket street

Indifferently numb I will not comment
Answer only when spoken too
There is nothing more than this